The year got off to a great start when I read THE GOLDEN MEAN, a debut novel by Canadian writer Annabel Lyon. Narrated by Aristotle, it’s the story of his arrival at the court of Philip of Macedonia and his relationship with his young student, Alexander (the Great). In the most thoughtful and evocative prose, Lyon recreates this extraordinary world with care and detail. It put me in mind of John William’s extraordinary AUGUSTUS, and is that classic novel’s equal. It will be published in the UK later in 2010 and if there is any justice in the world, it will attract a lot of attention.
Simon Lelic’s excellent debut RUPTURE is a taut and uncompromising piece of work, following the aftermath of a school shooting as a police inspector looks into the circumstances that led to a teacher shooting a group of students and a colleague. This is a story about bullying: students bullying teachers, colleagues bullying colleagues, and features a cast of characters so reprehensible at times that they are infuriating. Lelic’s trick is to use a group of different voices to tell the story in monologue and it works extremely well.
Nigel Farndale’s novel THE BLASPHEMER is an intriguing book which splits in time between a man who has made a disastrous choice during a plane crash and the World War I experiences of his great-grandfather. It’s a fascinating story with some highly intriguing characters, notably a malevolent music professor who is a great creation.
I thoroughly enjoyed EL Doctorow’s HOMER & LANGLEY, which tells the story of the Collyer brothers of Fifth Avenue, a pair of eccentrics who filled their house with useless rubbish and lived among the detritus. Homer’s voice is a triumph of snobbery and humour and every episode of the novel is brilliantly related, particularly the section where a notorious gangster comes to stay. It contains one of the best last sentences (or best last 2 sentences) I’ve ever read.
I also read Rebecca Stott’s THE CORAL THIEF, which contains some interesting sections on Paris after the fall of Napoleon, Jonathan Lethem’s CHRONIC CITY, Rachel Cusk’s family drama THE BRADSHAW VARIATIONS, Alan Monaghan’s THE SOLDIER’S SONG, M Glenn Taylor’s THE BALLAD OF TRENCHMOUTH TAGGART and William Trevor’s first collection of stories, THE DAY WE GOT DRUNK ON CAKES, each of which is like a masterclass in writing.